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Flight Is Not Always Freedom: On Washington Black and the Cost of Becoming

  • Writer: Tiffani Staten
    Tiffani Staten
  • Aug 5
  • 2 min read

Updated: Oct 20

A promotional poster for the Hulu Original Series adaptation of Washington Black by Esi Edugyan, featuring the main cast in period costume, with an airship and nautical elements in the background.
Esi Edugyan’s Washington Black soars beyond survival, exploring what freedom really costs and what it truly means to belong. A story that lingers long after the last page.

Some stories don’t just carry you—they crack you open.

Washington Black by Esi Edugyan is that kind of story. Not because it dazzles you with language (though it does). Not because of the scope or the journey (though that, too). But because, from the very first page, it asks the kind of question that lingers long after you close the book: What does it really mean to be free?

We toss the word around a lot—freedom. We link it to movement, to choice, to the absence of chains. But for those of us carrying the weight of generational trauma, of forced migration, of being treated like property or problem, freedom ain’t just a destination. It’s a process. A peeling back. A reckoning.

And Washington Black lives in that space.

It’s about a boy, yes. But more than that—it’s about becoming. About how knowledge can elevate you and isolate you all at once. About how some people will claim to free you while still expecting your loyalty, your silence, and your usefulness. It asks hard questions about who gets to reinvent themselves and who has to keep proving they deserve to try.

As a Black woman, I read this book with a deep ache. Not because it mirrors my exact story, but because it taps into something all too familiar—the uneasy mix of gratitude and grief. Gratitude for the opportunities that allow us to soar. Grief for the parts of us we’ve had to amputate to get there.

Edugyan doesn’t give us a neat path or polished endings. She gives us tension. Hope, braided with sorrow. Progress, threaded with pain. Because that's real. That’s the story behind so many of our stories.

Sometimes we forget that the desire to escape is not the same as the right to belong. That you can leave a place, outrun a history, change your clothes, your job, your name—and still carry the residue of where you’ve been.

And that’s what makes Washington Black so profound. It doesn't just explore the brutality of being enslaved—it explores the complexity of after. The hunger to make sense of your life when you were never supposed to survive. The miracle, and burden, of having survived anyway.

It’s the story of a boy who learns, over and over, that even when the door is open, you still have to decide who you are when you walk through it.

And isn’t that the work so many of us are still doing?

We are the daughters and sons of people who weren’t allowed to imagine. And now here we are—trying to dream, trying to soar, trying to remember that flight isn’t just escape. It’s a right. A responsibility. And, God willing, a return to self.


Has a book ever made you stop and ask what freedom looks like for you? Let’s talk about it.

 
 
 

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